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One of the hardest things about photographing birds is that they usually know you’re there. Whether it’s by seeing, smelling, or hearing you, our fine feathered friends are always acutely aware of your presence, especially when you have a giant telephoto lens pointed at them.

Capturing a subject in silhouette is one of the most dramatic ways to shoot compelling images, especially if you're working in b&w. Today's tutorial from the New Ways of Seeing YouTube channel demonstrates everything you need to know for achieving this powerful effect.

Anup Shah believes there is an authenticity to the personalities of wild animals: an animal in the wild wears no mask and assumes no role that is not genuine; neither is that animal influenced by humans in the way a captive creature would be.

Most photographers are intrigued by the prospect of capturing exotic animals in their natural environment, but many of us lack the time or means to book a safari abroad. The next best thing is a trip to the local zoo where you can make some great shots, work on your skills, and get prepared for shooting in the field.

Every so often one of our favorite instructors surprises us with a concept that really makes sense for capturing landscape scenes with maximum impact. And that’s exactly what you’ll find in the quick tutorial below, as Romanian pro Toma Bonciu demonstrates what he means by “layering” a scene from foreground to background.

My wide-angle lens was perfect when the late-evening shadows crept across the mountains of the Arctic National Wildlife Refuge. The sweeping landscape, wide open and treeless, was suited to the wide field of view. Until, that is, the weather turned, and with it, my perspective on that wild place. I woke one morning to rain pattering intermittently on the nylon of my tent. Between showers, I emerged to find the mountains obscured by scudding clouds.

I travel to take pictures, but sometimes I just happen to be in an interesting area, like last spring in Lexington, Kentucky. Let’s see: Lexington, horse country, the Keeneland racetrack nearby, and me never without my camera gear. Photography was bound to happen.