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There's an interesting dichotomy when it comes to adjusting color during post processing. Most of the time our goal is to use various techniques to make an image appear exactly as it did through the viewfinder for a believable, natural looking result. Other times, however, our intent is to is to employ lens filters, camera settings, or editing enhancements to achieve special effects or change the mood and feeling of an image.

If you're unfamiliar with the term "Smart Objects" here's a definition paraphrased from the experts at Adobe: They're a type of "container" that holds multiple layers, that enable you to apply a variety of characteristics to an image with different tools and features.

Photographers love their affordable, fast, and easy-to-carry "nifty fifty" lenses that can be used to capture a wide range of scenes from landscapes and portraits to nature photos and more. When your images fail to meet expectations, and you're not sure why, it's likely because you're making one or more common mistakes when shooting with a 50mm prime.

Beginning Lightroom and Photoshop users tend to become so enamored with all the transformative tools that they often go overboard with post-processing effects, which is a sure way to ruin an otherwise nice shot. As you'll see in this tutorial from instructor Johny Spencer, there are six warning signs that your edits are overcooked.

Sooner or later we all fall into a rut and run out of fresh ideas. This tutorial will definitely get your creative juices flowing again the next time this happens to you, with what one pro calls "a totally underrated landscape photography editing trick."

This eye-opening tutorial begins with a provocative question: "Have you ever found yourself, camera in hand in hand, staring at some incredible lighting hitting a scene, only to waste so much time trying to configure your settings that you miss the light altogether?" Unfortunately this dilemma is rather common, but we're going to make it a thing of the past in video below.