LATEST ADDITIONS

Jack Hollingsworth  |  Aug 01, 2006

With a lot of my business coming from stock images, I travel at least six months of the year to take pictures related to travel, leisure, health, lifestyles, and business. Along with a lot of other stock and travel photographers, I've realized that the next frontiers for photographs are India and China. They are the emerging markets, and more and more photographs from those...

Jack Neubart  |  Aug 01, 2006

When I first heard about a 35mm focal length macro lens my mouth began to water. The $229 price tag was an immediate inducement, as were the compactness and lightweight of this glass. What threw me, though, was the focal length. Because this was in the new Four Thirds System for an Olympus digital SLR (the EVOLT E-300 was used for this test), focal length doubled to 70mm. A 70mm...

Stan Trzoniec  |  Aug 01, 2006

My first macro lens was the popular Nikon 60mm Micro-Nikkor. Good move, I thought, as the 60mm focal length could double as an all-purpose lens for a variety of assignments. Trouble is, when I started to get into more and more 1:1 (life-size) work, I only had 21/2" of working space between the front of the lens and my subject. The 105mm was next, sharp as a tack but again...

Robert E. Mayer  |  Aug 01, 2006

Please confine yourself to only one question per letter. Both postal letters and e-mails are fine, although we prefer e-mail as the most efficient form of communication. Send your e-mail queries to editorial@shutterbug.com with Help in the subject header and your return e-mail address at the end of your message.

George Schaub  |  Aug 01, 2006

Whenever I need a visual shot in the arm I take my camera to somewhere I've never been, or switch lenses, or both. As this issue is weighted toward the exploration of optics, I'll focus here on the changing lenses part of the equation.

All of us have a favorite lens, the one that best expresses our vision, and that delivers the crisp images we...

Joe Farace  |  Aug 01, 2006

"Only the mediocre are alwlays at their best."
--Jean Giraudoux

Two quotes this month: The first by Alan Kay was on my mind while replying to the editor of my book The Complete Guide to Digital Infrared Photography--I didn't choose that title. He asked: "If I want to emulate the look of color IR film is a plug-in or (digital)...

David B. Brooks  |  Aug 01, 2006

Digital Help is designed to aid you in getting the most from your digital photography, printing, scanning, and image creation. Each month, David Brooks provides solutions to problems you might encounter with matters such as color calibration and management, digital printer and scanner settings, and working with digital photographic images with many different kinds of cameras and...

David B. Brooks  |  Aug 01, 2006

One of the more frequent complaints and problems from photographers is that they are not getting expected color reproduction from their printers. More times than not the solution to this problem involves what is referred to as color management. So, to launch into this review of a device and software for calibrating and profiling printers, I will begin with a short, and I hope...

George Schaub  |  Aug 01, 2006

It's getting to the point where cameras are truly microprocessors with lenses. For those who have shot film in the past, today's digital SLRs give access to the look and feel of every film ever made at every speed with every color, contrast, and grain nuance you could imagine. While film builders create a combination of image attributes fixed in a micro-thin emulsion...

Joe Farace  |  Aug 01, 2006

For some time now my favorite portrait lens has been Canon's EF 85mm f/1.8 USM, but now my new favorite is the Canon EF 85mm f/1.2L II USM. It replaces the EF 85mm f/1.2L USM and offers the widest aperture of any lens in Canon's EF family. All in all it provides a useful combination of focal length, depth-of-field control, and low-light performance. The superb optics...

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