LATEST ADDITIONS

Jay McCabe  |  Nov 01, 2006

"Photographers may believe in certain pictures, but they have to have the educated eye of the picture editor."

"We're actually looking at film," David Doubilet says. He's at the offices of National Geographic magazine, going over the take from a recent two-month assignment in the South Pacific. The job was shot with both film and...

Jon Sienkiewicz  |  Nov 01, 2006

It's impossible to be a serious digital photographer without learning at least a little bit about computers. Some people take to computer technology like kids take to dirt, but many never get beyond e-mail and Photoshop. Don't get me wrong--that's not bad--but when the need to upgrade arises, the folks who are short on computer skills sometimes think...

Shutterbug Staff  |  Nov 01, 2006

Our Picture This! assignment this month was "It's What's Up Front That Counts," the implication being that the lens, lens attachments, and of course where the lens is pointed has a profound influence upon any image. Although you could crop into an image made with a 24mm lens to gain the same perspective as one shot with a 50mm, there's the context of...

George Schaub  |  Nov 01, 2006

Photographers who soup their own film know about developers. There are those for sharpness and those for speed, with agitation schedules and dilution ratios all part of creating a custom negative. Stretching the analogy, as we are wont to do when translating film to digital terms, today's raw converters are like custom developers, where you can manipulate image information...

George Schaub  |  Nov 01, 2006

When Nikon refines a camera but does not substantially change its attributes the company often designates the change by adding a lowercase "s" to the model name. It did so with the revamped D70 (the D70s) and now has done the same with their latest flagship pro digital SLR, the D2Xs. (As we went to press the D70s has been replaced with the D80, so interim status is...

Monte Zucker  |  Nov 01, 2006

My classes out of the country offer possibilities that keep my life and my photography exciting. For the past three years Merida, Mexico, has been an adventure in teaching. Sights and sounds...color and composition...all available just for looking and seeing. The challenge for me is always to teach photographers to see how the light is playing on their subjects and to show...

Jack Neubart  |  Nov 01, 2006

On a recent trip to Curacao, Netherlands Antilles, I had a choice of several of Lowepro's photo backpacks. I would load one up, try it on, and do the same with each in turn. Even though I received the DryZone Rover for the express purpose of testing it, I wasn't about to sacrifice my trip and take a bag ill-suited to the task. Among the bags at my disposal were the...

Mike Norton  |  Nov 01, 2006

If a perfect place for landscape photography were to be built, what amenities would be included? Most photographers would want mountains, lakes, an assortment of trees, a U-shaped valley, a stream, easy access, protected land, a trail system, eastern or western exposure, wildflowers, a different look for each season, a beaver dam, driftwood, boulders, blue sky, high clouds, fog...

Joe Farace  |  Nov 01, 2006

Every photographer knows about visible light being used to capture photographic images digitally or with film, but there are other kinds of light that we can't see. Light with wavelengths from approximately 700 and 900nm (nanometers) is called infrared light. Interestingly, this band of infrared light is a thousand times wider than that of visible light, but is invisible to...

Jon Canfield  |  Nov 01, 2006

First announced in February and now becoming available, the new HP Photosmart Pro B9180 is one of two new competitors to the Epson R2400 (the other being the Canon iP9500). Although 13x19 inkjets have been available for some time, including the highly regarded Photosmart 8750, the B9180 is the first pigment ink photo printer from HP, and the first Photosmart printer to bear the...

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