LATEST ADDITIONS

In contemporary lighting equipment there are trends and there are fads with some gear seemingly having equal parts of both. And they just aren’t boxes of light anymore; they are lightsabers, small studio lights with big output, and everywhere you look it’s LED lighting in every size, shape, and price.

We were at Sony’s press conference yesterday to unveil the blazing fast RX100 V compact camera and afterwards we got a chance to try out with this speedy little bugger. The biggest headline about the Sony RX100 V is that can shoot at 24 frames per second, which is the world’s fastest continuous shooting speed for a compact camera and faster than even the most expensive professional digital SLRs on the market.

The short video below should help explain why the latest superzoom cameras are so popular, as you get both a wide view where a FedEx airplane is barely visible, and a tight shot where you can actually read the logo on the planes fuselage.

The monochrome mode on most digital cameras is a convenience that is best avoided. Conventional wisdom says that it’s far, far better to shoot Raw and convert to monochrome—or at least to start with a color JPEG. But Fujifilm suggests that their ACROS film simulation mode might even top the best Raw converters. Does it?