Pro Techniques

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Jack Neubart  |  May 01, 2009  | 

“I’ve always loved cars,” Charles Hopkins proclaims. “Besides, who wouldn’t like having access to the latest vehicles before anyone else has even heard about them?” It was when he arrived in Los Angeles that Hopkins took that passion one step further. He’d joined up with photographers who specialized in automotive photography and honed his skills. He went...

Efrain M. Padro  |  May 01, 2009  | 

Comprised of almost 390,000 square miles (slightly bigger than France and Germany put together), Patagonia is located in the southernmost third of both Argentina and Chile. Here the Andes Mountains plunge into the Pacific Ocean, leaving a trail of glaciated valleys, rugged granite peaks, ancient glaciers, jade green lakes, and endless plains. This stark and surreal landscape is also rich in...

Barry Tanenbaum  |  May 01, 2009  | 

After a while, showing wasn’t enough. Telling became the point.

And because Chris Heisey knows his Civil War, he has a lot to tell in his photographs.

Chris has been photographing Civil War battlefields for almost 20 years, and at the start he took straightforward record shots. “I’m self-taught,” he says, “and...

Jon Sienkiewicz  |  Apr 01, 2009  | 

SBA means “Shake Begins At”—the level at which camera movement makes your images lose the sharpness battle.

Rosalind Smith  |  Apr 01, 2009  | 

When Canadian engineer Joseph Cacic designed and built a tripod in the late 1990s that would accommodate bird’s eye aerial images, Boston photographer Frank Siteman was among his first customers. For Siteman it was the perfect solution for the environmental photographs that he favors. Weighing 75 lbs and easy to roll, the tripod can be placed in a garden without disturbing any of the floras...

Barry Tanenbaum  |  Apr 01, 2009  | 

The who, what, when, and where of the story are easy.

Commercial and advertising photographer Charles Orrico was commissioned about two years ago by an ad agency to photograph at the abandoned Kings Park Psychiatric Center in Kings Park, New York, on behalf of a holding company that planned to develop the site. Building 93, the main structure in the complex, was of special...

Jim Zuckerman  |  Apr 01, 2009  | 

One of the things that makes a photograph successful is that attention is directed to the subject. This can be done with good lighting, muted backgrounds, or graphic design. An important design element that directs our attention into the heart of a picture is called a leading line. This is a line that usually begins at the bottom of the composition and extends into the heart of the scene...

RJ Wiley  |  Apr 01, 2009  | 

The Audubon Corkscrew Swamp Sanctuary in Southwest Florida has been left virtually untouched by man, except for the construction of one of the world’s most beautiful boardwalks that wanders through the heart of this ancient bald cypress swamp. In July 2007, the discovery of a ghost orchid at Corkscrew was very big news. Ghost orchids are rare; it’s estimated there are only 1000...

Jim Zuckerman  |  Apr 01, 2009  | 

One of the traditional compositional guidelines that many artists and photographers adhere to is that a subject’s movement should go toward the center of the frame. You can see this method of composing an image in the photo of the frigate bird (#1) that I placed on the left side of the frame; it is flying toward the imaginary vertical center line of the image. Similarly, I placed the tall...

Jon Sienkiewicz  |  Apr 01, 2009  | 

Whenever you place a call to tech support—for any reason—take notes. Get names and of course dates and jot down a summary of all conversations. Nine times out of 10, when a customer complains about the behavior of a tech support agent, the conversation begins “I don’t know who I was talking to but…”

When you’re on hold and hear: “Your call...

Jim Zuckerman  |  Mar 01, 2009  | 

My biggest surprise in shooting the famous Carnival of Venice was how accommodating the costumed people were to be photographed. I had assumed that they would become quickly annoyed with all the photographers stopping them and wanting pictures, but the opposite was true. They came out just to be photographed. Some were out as early as 7am and in the sunrise lighting they posed in front of the...

Jack Neubart  |  Mar 01, 2009  | 

“Understanding the genres, history, and style of the music is a huge part of my success,” John Scarpati observes. “I work very closely with the bands and artists to make sure the cover art reflects what they want to say.” Scarpati (www.scarpati.com), as he prefers to be called (“when someone yells Scarpati on set...

Barry Tanenbaum  |  Mar 01, 2009  | 

Last fall I got an e-mail and a few JPEG attachments from Jody Dole, a commercial and advertising photographer whose career adventures I’ve chronicled over the years in these and other pages. “I’ve been having a good time making 19th-century cyanotype look-alike images,” Jody wrote.

Turns out, Jody had been up to more than cyanotypes. He also had a...

Anthony L. Celeste  |  Mar 01, 2009  | 

It’s common to see blinking buttons and scrolling banners and other animated graphics on websites that look pretty much the same as those on every other website. I want to show you how you can do something different with animation: blur an image, then use animation to grab your viewer’s attention by bringing the blurred photo back into focus.

I’ll be using Ulead...

Eric Dusenbery  |  Feb 01, 2009  | 

In many ways, Florida seems like a thoroughly modern state. New developments and towering skyscrapers dot the urban contemporary landscape. Tourism display racks contain dozens of the latest amusement and attraction brochures. Each year, millions of visitors descend upon Florida to experience the beaches, theme parks, major cities, and golf courses.

However, away from the...

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