Nature Photography How To

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Lou Jacobs Jr.  |  Aug 17, 2012  |  First Published: Jul 01, 2012  | 

Orest Macina says he is “a self-taught photographer interested in painting with light to capture the beauty all around us in vivid colors.” He holds a Ph.D. in Theoretical Computational Chemistry, and has worked in the pharmaceutical field. He first became interested in photography in high school, though his interest lagged through college, graduate school, career, and marriage.

Josh Miller  |  May 21, 2012  | 

Since the development of photography in the early 1800s, there has always been a strong tradition of photographers using their work to promote conservation and social justice issues. One need only to look at the development of the National Park System in the United States to see the impact early photographers had on conservation. William Henry Jackson, with his 1871 Yellowstone photographs, helped push through legislation that established Yellowstone as the world’s first National Park. Another well-known example of a conservationist photographer was Ansel Adams, whose tireless efforts both as a photographer and as a 37-year member of the Sierra Club’s Board of Directors led to the establishment of Kings Canyon National Park in 1940.

Lou Jacobs Jr.  |  Jan 24, 2012  |  First Published: Dec 01, 2011  | 

After almost 40 years of making platinum prints, chemical fumes had harmed Tom Millea’s lungs to a point where he could no longer go into the darkroom. He says, “Closing my studio was traumatic in the extreme.” He didn’t believe that anyone else was capable of printing his work as he envisioned it. He liked computers but had no desire to try to make digital prints look like his platinum prints. “One technique could not replace the other,” he says. He selected prints from his inventory to sell in gallery shows and considered himself retired.

 

But by 2004, when the color palette of digital inks had changed, Millea thought his prints were beautiful, and comparable with his darkroom images. He began making digital color photographs full-time using an Epson 2200 printer. Over the next five years, he says, “By myself, step by step, I learned to use the computer to make images I felt were uniquely my own.” He eventually put together a complete digital studio with Apple computers and two Epson printers, the 4800 and the 9800. He could then make his own prints up to 40x60”.

Mike Stensvold  |  Nov 01, 2005  | 

Close-up photography--taking pictures at very close range--can provide a different outlook on everyday things, reveal details unseen by the naked eye, and turn common objects into intriguing abstract images.

The traditional ways to do close-up photography involves special gear: Simple close-up diopter lenses are inexpensive but reduce sharpness noticeably...

Lynne Eodice  |  Apr 01, 2005  | 

Besides photographing people, nature ranks among the most popular subjects. Much of this appeal comes from the fact that there's a sense of wonder and mystery at the beauty of flora and fauna. Through photography, we can express our fascination with flowers and share it with others. Whether you enjoy shooting close-ups of a bud unfolding, or a field of wildflowers in the...

Mike Stensvold  |  Apr 01, 2004  | 
Spring is the season of rebirth and renewal—hence, the ritual of spring cleaning. It's also a season of contrasts: there's still snow in the high elevations, while the lower regions come into bloom; and there are hot summery spells and cold wintry spells interspersed with milder days. So in most areas, you can shoot "winter" shots and "summer" shots in thespring...
Lynne Eodice  |  Mar 01, 2004  | 

All Photos by Abe Ordover

 

Abe Ordover is a nature photographer who combines his camera work with Adobe Photoshop to create images that are uniquely his own; photographs that reveal to the viewer what Ordover felt when he shot the scene.
He's traveled worldwide to...

Lynne Eodice  |  Mar 01, 2004  | 

 

 

 

One of the most challenging—and gratifying—subjects to photograph is wildlife. The primary obstacle is getting close enough to wild animals to take dramatic photos of them. Your best bet is a telephoto lens—a few point-and-shoot film cameras offer built-in zooms as long as 200mm at the telephoto end, and...

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