Nature Photography How To

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Barry Tanenbaum  |  Aug 04, 2015  |  0 comments

John Paul Caponigro’s elegant, intriguing fine art images result from his control of a complex mix of inspiration, insight, and experience. And one other thing: his enthusiastic embrace of technology in the pursuit and realization of vision.

Cynthia Boylan  |  Jul 27, 2015  |  0 comments

In this video (brought to you by B&H Photo and currently available on YouTube) photographer Chris Nicholson provides a wide variety of pro level tips and tricks to help you get the most from your next visit to one of America’s beautiful National Parks. Captured during a photography workshop, this video has a runtime of nearly one hour and includes sample images, advice on the best places to explore and what to bring with you. 

Cynthia Boylan  |  Jul 24, 2015  |  0 comments

The below instructional video from longtime pro photographer Moose Peterson is from a few years ago but if you haven't seen it yet, it has some great advice on how to capture gorgeous landscape photos.

Cynthia Boylan  |  Jul 13, 2015  |  0 comments

Photographer and writer, Jaymi Heimbuch has a profound interest in wildlife and nature. Her goal is to create images that trigger an emotional connection with viewers, and which spur us all to be stewards of nature. Through her work, Heimbuch hopes to spark wonder, respect and appreciation for animals.

Blaine Harrington  |  Jul 03, 2015  |  0 comments

You might say that images from distant, exotic locations are the stock and trade of a professional travel photographer, and certainly in my case you’d be mostly right. Those images pay off commercially and artistically, and when I can make them in places I’ve never before visited, they provide the added satisfaction of exploration and discovery.

Josh Miller  |  Jul 01, 2015  |  0 comments

I think I speak for nearly every photographer when I say going to a new location excites me, especially if it is one I have dreamed about for years. We all dream of these once-in-a-lifetime photo adventures. But the truth is for most photographers, the majority of our shooting is actually done in locations that are closer to home and allow us to return more regularly.

Chuck Gloman  |  Jun 30, 2015  |  0 comments

The Arctic National Wildlife Refuge (ANWR) in northeastern Alaska consists of 19,286,722 acres along the Alaskan North Slope, and supports a greater diversity of flora and fauna than anywhere else in the Arctic Circle. It was established in 1960 and is governed by the U.S. Fish and Wildlife Service. It receives only about 1,500 visitors a year.

Barry Tanenbaum  |  Jun 02, 2015  |  0 comments

We assumed the first thing Jim Graham does in order to create his elegant landscape images is decide how to isolate his subjects from distracting backgrounds to achieve the always-desired single subject, clearly defined.

We were wrong. The first thing he does is ask himself: What do I see? Then he asks: How do I use the camera to communicate the feeling I have about what I see?

 

Josh Miller  |  Jun 01, 2015  |  1 comments

Telephotos have always been bread-and-butter lenses for photographers shooting everything from commercial and sports to wildlife and landscapes. The ability to separate a subject against its background or pull in a distant scene has made telephoto lenses a staple in nearly every camera bag around the world.

Cynthia Boylan  |  Mar 06, 2015  |  0 comments

The Canon Digital Learning Center is now offering free tutorial videos hosted by world-renowned bird photographer Arthur Morris. Arthur demonstrates which techniques, gear and settings he uses to create artistic photos of birds and other wildlife.

Rick Sheremeta  |  Feb 27, 2015  |  0 comments

There’s no reason to pack your photo gear away when the first snows of winter start to fly. Winter photography presents some of the most wonderful opportunities to capture stunning subject matter that is not available during other times of the year. With the ground enveloped in a blanket of white snow, even familiar surroundings will take on an entirely different perspective and serve as the background for new and exciting images.

Howard Millard  |  Feb 10, 2015  |  0 comments
For over five winters, I have taken my camera and explored an Everglades-like ecosystem in South Florida teeming with great blue herons, great egrets, alligators, turtles, snakes, fish, ibis, tricolored herons, green herons, black-necked stilts, grebes, cormorants, anhingas, hawks, iguanas, and who knows what else.
Jon Sienkiewicz  |  Jan 21, 2015  |  0 comments

For centuries, scientists have labored to understand the nature of light. Some ancient Greeks believed that light was emitted from the eyeball the same way a bat sends out an echolocation chirp which allows him to determine his precise position in physical space. Understandably, there were problems with that hypothesis. Other theories followed. Those who embraced the wave theory were right—mostly. Light behaves like a wave up to a certain point. Similarly, those who professed the particle theory were also correct—partly.

Cynthia Boylan  |  Nov 11, 2014  |  0 comments

The National Wildlife Federation recently announced the winners of their 44th annual National Wildlife photo contest. Operated by National Wildlife Federation's award-winning magazine National Wildlife, the contest celebrates the beauty of nature while raising funds to help the organization protect wildlife and wild places.

Selected from more than 29,000 entries, this year’s winners include a grand prize recipient who spent years perfecting a photographic technique that resulted in a one-of-a-kind image of grey herons and another winner who was able to grab his camera just in time to capture a rare image of praying mantis nymphs hatching on his backyard deck. 

Jim Zuckerman  |  Oct 27, 2014  |  0 comments

Every photographer has a personal vision and a particular taste in composition, light, color and so on. For example, many photographers chose nature’s details simply to abstract the color and form they find. Others like to use extremely shallow depth of field—also called selective focus—so only a sliver of the subject is sharp while the rest of it is soft. People who are intrigued by the beauty, intricacy and complexity of nature usually shoot with the opposite approach. They want to reveal as much detail in the subjects as possible so those who view their work can appreciate the designs and the patterns in the images with tack sharp clarity.

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