Mirrorless Camera News

One of the few mistakes that can totally ruin a photo is failing to achieve precise focus on the primary subject in a scene. There are a variety of camera settings and shooting techniques for increasing your odds of success, and today we’re going to concentrate on one of the most helpful.

Most of my columns for this website concern the ideas and purposes behind the photographs I take. I always include information about the technology used to achieve the photos, which could be as basic as the f/stop chosen to direct your attention, or the use of a ND filter to make a long exposure possible. That approach is not incidental or coincidental; the stories are planned along those lines because my ideas come first, and technology’s purpose is to support those ideas.

If you’re having trouble nailing exposure and ask a few friends for help, you’re likely to be told, “it’s time you mastered Manual mode.” While that’s certainly an option, there’s another (and often easier) way to consistently achieve perfectly exposed photos.

Back-button focus is a popular technique among experienced wildlife, sports, and nature photographers. The tutorial below demystifies this powerful focusing method and explains how to use it for faster, more precise results. 

The long awaited and fiercely rumored replacement for the Fujifilm X-H1 has been announced, along with two new Fujinon zoom lenses. The Fujifilm X-H2S is an APS-C format mirrorless camera that features Fujifilm’s all-new 26.16-megapixel X-Trans CMOS 5 HS stacked BSI imaging sensor. The also-new X-Processor 5 empowers enhanced autofocus, 7-stop image stabilization, high-speed burst photography and significantly improved video performance.

Photo manufacturers released some amazing new flagship cameras last year: the Nikon Z9, Sony A1 and Canon EOS R3. All three models feature top-of-the-line technology designed for serious photographers, which begs the question: which camera is best?

It’s can be challenging to achieve perfectly exposed photos when shooting outdoors under difficult lighting conditions with a broad range of tones from highlights to shadows. While it’s often possible to rehabilitate poorly exposed images during the editing process, wouldn’t you rather get it right in the camera?