Lens Reviews

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Jack Neubart  |  Aug 01, 2010  | 

The new Tamron SP AF17-50mm F/2.8 XR Di II VC LD Aspherical (IF) joins a growing community of wide-zoom lenses. In contrast to an earlier version of this lens, which is available in several mounts, this APS-C Tamron optic (designated Model B005/$649 street price) is only available in Nikon DX (with built-in motor) and Canon mounts. Given that I mated this lens to a Nikon D300, that effectively...

George Schaub  |  Aug 01, 2010  | 

When you talk about lenses these days you always have to bring in the multiplication factor, especially when you have a lens that fits comfortably on both so-called full-frame and APS-C sensor cameras. To know what angles of view you will have available you have to know: (a) that the lens is made for full-sized sensors (or not) so will work with the multiplication factor on smaller sized sensors...

Stan Trzoniec  |  Aug 01, 2010  | 

Nikon’s entry into past universal 80-200mm f/2.8 lenses started back in 1978 with a manual focus, push-pull lens checking in at 4 lbs. Ten years later the autofocus model arrived sporting ED (Extra-low Dispersion) glass; ’92 marked the “D” package. In ’96 the AF-S version came along, followed by the new generation of front motor drive “G” models. Now we...

Jack Neubart  |  Aug 01, 2010  | 

Fisheye optics are an unusual beast. The bulbous nature of the front element is one characteristic trademark, but the unique view this lens affords us is what makes it truly appealing—and at the same time challenging to work with.

My fisheye lenses have literally widened my view of the world around me and given me a new perspective on my photography. Admittedly, some...

Robert E. Mayer  |  Mar 01, 2010  | 

If, like many Shutterbug readers, you have a film SLR camera plus several interchangeable lenses, you might be wondering if you can use those lenses with your new D-SLR camera of the same, or even different, brand.

Roger W. Hicks & Frances E. Schultz  |  Dec 01, 2009  | 

There are plenty of other good (but significantly slower) 21mm and 24/25mm lenses on the market, almost all cheaper, smaller, lighter, and exhibiting less distortion than the two under discussion here.

George Schaub  |  Dec 01, 2009  | 

Long considered the focal-length sweet spot for macro work, the 60mm focal length of the new Tamron 60mm f/2 lens ($569 MSRP) converts out to 96mm for Canon and 90mm for Nikon APS-C D-SLRs.

George Schaub  |  Dec 01, 2009  | 

There is an underlying desire in every travel or street photographer to be able to carry one lens to cover all contingencies.

George Schaub  |  Dec 01, 2009  | 

We have seen new options from independent and camera maker manufacturers alike, each bringing the fun and creative options of these unique angles of view to ever more affordable price ranges.

Joe Farace  |  Dec 01, 2009  | 

In my heart I know that few readers can afford these kinds of expensive lenses, but there are always those who can and for the rest of us, it’s something to dream about.

Joe Farace  |  Aug 01, 2009  | 

There is no doubt that Carl Zeiss is one of the magical names in the world of optics and so the introduction of the Zeiss ZE lenses for analog and digital cameras is big news.

Steve Bedell  |  Aug 01, 2009  | 

“Most pro lenses have much sturdier construction than their consumer counterparts.”

 

I’m a pro photographer and have been for about 30 years. I mostly shoot portraits and a few weddings. I’m not one of those guys who will be first in line for the latest 15-800mm f/1.2 lens. As a matter of fact, I’m pretty much an equipment minimalist. But when I need a lens, I...

Peter K. Burian  |  Jun 01, 2009  | 

Although zoom lenses are certainly versatile and convenient, they do have some drawbacks, including relatively small maximum apertures.

Stan Trzoniec  |  May 01, 2009  | 

The arrival of the new Canon EF 800mm f/5.6L IS USM lens was a case of perfect timing as within a few days I’d be on the road for a couple of weeks photographing the abundance of wildlife at the Blackwater Refuge.

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