It used to be fun selecting film and developer combinations back in the Dim Ages of Photography, before digital happened. You can enjoy nearly the same experience today by processing images with Alien Skin Exposure 5.
After one of their most dramatic marketing build-ups in recent times, Leica unveiled the X Vario camera on June 11. I was fortunate to get a working sample—for just a few days—and put it through its paces. Here are my impressions.
The only thing better than owning a high-end compact camera is owning two of the same model. At the risk of sounding extravagant or greedy, let me explain.
Here’s something you probably never expected me to write about: men’s shorts. To be specific, they are OKC Mesa Cargo Shorts and I bought them online from Cabela’s on sale for $15. There is a label inside that says “The Original Khaki Company” along with laundering instructions. That’s all I could find to identify the manufacturer.
Partly because I own some great Minolta glass (including a 17-35mm G-series zoom) and partly because one of my best friends in the whole world, Mickey Iwata, a former PMDA Technical Achievement Award winner, is in charge of the Sony Alpha DSLR/SLT accessories, I bought a Sony Alpha 55.
Here’s a new accessory that definitely falls into that “Why didn’t I think of that?” category. Olympus’s MAL-1 Macro Arm Light is a pair of bright LEDs attached to the end of flexible, gooseneck arms. They connect via the camera’s accessory port/hot shoe, and are powered by the camera (no extra battery needed).
You’ve probably never thought of a pumpkin as being particularly shiny, but in fact, like many other common objects, their surface is glossy enough to produce glare. Glare is a photographer’s worst enemy. Glare appears as areas of blocked highlights that are completely devoid of detail. Remove the glare and the entire surface of the pumpkin appears in full rich color and lush detail.