Jon Sienkiewicz

Jon Sienkiewicz  |  Jun 24, 2011  |  First Published: May 01, 2011  |  1 comments

“Can you use a tripod and IS at the same time?”

 

Almost 20 years after the dramatic success of the first autofocus 35mm SLR, the Minolta Maxxum 7000, Minolta introduced “body integral” Image Stabilization (IS) to the world in the DiMAGE A1, and the game changed. Advanced photographers recognized the value of stabilization. That was back in 2003, but it wasn’t the first attempt to quell camera jitters. Previously, IS had been performed optically. Minolta did it in the camera body by physically moving the sensor to counteract camera movement. We called it Anti-Shake, and I was a member of the team that brought it to market.

Jon Sienkiewicz  |  Jun 10, 2011  |  0 comments
Partly because I own some great Minolta glass (including a 17-35mm G-series zoom) and partly because one of my best friends in the whole world, Mickey Iwata, a former PMDA Technical Achievement Award winner, is in charge of the Sony Alpha DSLR/SLT accessories, I bought a Sony Alpha 55.
Jon Sienkiewicz  |  Feb 01, 2011  |  0 comments

We all need a second camera, one that travels with us when the heavy artillery stays at home. There are many premium models to choose from, and most yield results on par with their larger brethren—under certain circumstances.

Jon Sienkiewicz  |  Jan 01, 2011  |  1 comments

Long before the Mind of Minolta popularized autofocus SLRs with the introduction of the Maxxum 7000 there was the XD.

The year was 1977 and Minolta Camera Company, Ltd. was riding high. Fueled by the success of the SR-T series and the inimitable XE-7, Minolta launched the XD family, beginning with the XD-11 (labeled simply XD in Japan and XD-7 in Europe). The XD-11 was the first...

Jon Sienkiewicz  |  Sep 01, 2010  |  0 comments

For many photographers, the notebook computer has become nearly as essential as an SLR camera. But that doesn’t mean that photographers are just as savvy about their PCs and MacBooks as they are their cameras and lenses.

Jon Sienkiewicz  |  Aug 01, 2010  |  0 comments

Back in the day when prime lenses ruled supreme and snooty purists decried zooms for lack of absolute sharpness, Tele-Converters (TCs) were popular accessories. Photographers wanted to bring distant subjects closer, and TCs provided a means to that end. Also known as tele-extenders, these thick slabs of metal and glass increase the focal length of a given lens while also decreasing the f/stop.

Jon Sienkiewicz  |  May 01, 2010  |  0 comments

Many of the cameras used by Shutterbug readers use SD memory cards. SD stands for Secure Digital, and it’s the most popular type of media for digital imaging. SD has been around for so long that people use this identifier generically, and refer to all variations simply as “SD.” This practice can lead to problems. There are a couple of new kids on the block, and you should know...

Jon Sienkiewicz  |  Feb 01, 2010  |  0 comments

For all practical purposes, you can narrow your film scanning options down to four choices. There are three types of scanners: drum, flat-bed, and dedicated film scanner. The fourth alternative is to have your film scanned by a professional lab.

Jon Sienkiewicz  |  Jan 01, 2010  |  0 comments

The inside joke at Minolta was that the “CL” in Leica CL stood for “Cheap Leica.” Surely owners of Leica M4s and M5s felt the same way—even though it wasn’t true.

Jon Sienkiewicz  |  Dec 01, 2009  |  0 comments

The guy at the camera store told you that a filter is “cheap insurance against fingerprints and expensive repairs” but was he really looking out for your best interests?

Pages

X