Steve Vaccariello had an advantage when he took this photograph of actor Alan Cumming for Aventura magazine. Well, actually three advantages. The first was that he’d photographed Cumming before. The second, they were friends.
Richard Bell began photographing for his book, The Last Veterans of World War II, early in 2016 and completed the photography a little over a year later. But for the origin of the book, you have to go back to Bell’s childhood.
Nicolas Bruno was 15 years old when everything changed. His restful sleep became something very different, something called sleep paralysis. Conscious, his eyes open, he was unable to move, unable to stop the terrifying dreams and hallucinations in which he was pursued and tormented.
Stephen Wilkes carried the idea of day-to-night images for a long time. The seed was planted when he photographed the cast and crew of Baz Luhrmann’s Romeo + Juliet for Life magazine.
I was pretty sure I wanted to talk with Eric Ward when I saw his iPhone pictures at various sites around the Web. I was absolutely sure when I read, at one of those sites, his best photography secret: “Perspective. I’m 6’4” and I see the world differently than my 3 year-old. Change your perspective while shooting a scene and you’ll find a whole new scene to shoot.”
Let’s face it: we’ve all seen, taken, edited, judged, read, or written about so many photographs over so many years, sometimes we get…well, jaded. Then, if we’re lucky, along comes something that delivers a jolting reminder of the surprise and delight photography is capable of delivering.
Albert Normandin has photographed in Myanmar on 13 visits over 12 years. He estimates he’s spent over 600 days in the country. He won’t guess at how many photos he’s taken. This one, though, has somewhat special significance.
That’s Carlos Correa, Houston Astros shortstop, in February, 2016, on a secluded beach on the south coast of Puerto Rico, training for the upcoming season. He’d been named American League Rookie of the Year for 2015, but no achievement was going to make this driven professional let up in his efforts to stay ahead of the game.
Of course sports photographer Eric Bakke can capture the peak action moments. He’s team photographer for the Denver Broncos, shoots X Games for ESPN, and contributes sports images to newspapers, magazines, and organizations. Here, though, we want to talk about his pursuit of a different kind of sports image, one that most often pictures a single athlete and aims for art over action.