Take lots of pictures when photographing people--their expression changes in the blink of an eye. This woman, photographed in Marrakesh, Morocco, just caught sight of a policeman coming toward her. (Canon EOS 1N, Canon 70-200mm zoom lens at 200mm, Kodak Elite Chrome 100.)

Basic travel photography utensils include a camera body; wide angle zoom (17-35mm or 20-35mm) for landscapes and street scenes; a telephoto zoom (70-200mm) for people and wildlife pictures; and a flash for indoor, nighttime, and daylight fill-in flash photography.

A more sophisticated system might include a 300mm lens or 100-400mm zoom for tighter wildlife photographs, a macro lens for close-ups, and an additional camera body--so you can always have two lenses at the ready.

Plastic sandwich bags (to keep cameras dry and dust free) and a camera cleaning kit (to keep dust and grit out of your film chamber and off your film) are also practical utensils.

When choosing your utensils, remember that you don’t have to be a millionaire to take great travel pictures. After all, a camera system that costs several thousand dollars may not deliver better pictures than one that costs a few hundred dollars. Why? The answer lies in an old photo adage: “Cameras don’t take pictures, people do.”

Telephoto lenses or telephoto zooms are essential accessories for wildlife photography. (Canon EOS A2, Canon 100-400mm IS zoom lens at 400mm, Kodak Elite Chrome 200.)

Film. No doubt, film is one of the most important ingredients in the recipe for great travel pictures…if you use a film camera and not a digital camera, that is.

Plain and simple: pack more film than you think you’ll need and take several film speeds to meet all your needs.

Professional travel photographers pack ISO 100 film for bright light; ISO 200, 400, and 800 films for low light and action.

When traveling from site to site, pros try to carry as much film as possible and ask for a hand check at airport security checkpoints. Why? Because they know that if they ship their film through baggage, it may get totally ruined by new CAT scan machines, which have been installed at some airports for security purposes.

Main Course. First and foremost, a travel photograph must have an interesting subject. Now that does not necessarily mean that the subject must be interesting to everyone. Rather, because photography is an art and a personal expression of one’s creativity, the photo need only be interesting to the photographer. However, if you want to get your travel pictures published or exhibited, they should have mass appeal.

Wide angle lenses set at small apertures help you capture the “big picture” in sharp focus. (Canon EOS 1N, Canon 17-35mm zoom lens at 17mm, Kodak Elite Chrome 100.)

Good Exposure. Today’s automatic cameras make it easy to get good exposures in most situations. But there are times when a camera’s built-in exposure meter can be fooled, especially when a subject is backlighted. In this situation, follow this tip: the name of the game is to fill the frame…with the subject. Filling the frame gives your camera’s light meter a specific target area.

Filling the frame when taking flash pictures is also important when shooting on automatic. If your subject does not fill the frame, your camera’s exposure system may try to illuminate the entire scene, thus washing out your subject.

A Dash Of Color. We live in a world of color, so include some in your pictures! Look for color and think about how it can add impact to a scene.

Interesting subjects, like this waterman photographed in Marrakesh, Morocco, make good travel photographs. (Canon EOS A2, Canon 70-200mm zoom lens at 100mm, Kodak Elite Chrome 100.)

For landscapes, use an extra color or supersaturated film--but don’t use these films for people pictures: their faces will look too red.

You can also add a dash of color to a picture. Pro shooters do this all the time. They pack colorful props and clothes to add impact to a scene or subject.

Careful Composition. Generally speaking, you don’t want to place your subject directly in the center of the frame; remember this tip: dead center is deadly. Rather, try to compose your pictures with the subject off to the left, right, top, or bottom of the frame. Or, follow the old photo tip: imagine a tic-tac-toe grid in your camera’s viewfinder and place the main subject where the lines intersect.

Good Timing. The difference between a great shot and a snapshot can be a second or two. When photographing moving subjects, try to anticipate the peak of action and shoot at the moment. When photographing people, look for pleasing expressions--and take lots of pictures because expressions change in the blink of an eye.

Good timing also means waiting for the right light--or being in the right place at the right time. Shoot in the early morning or late afternoon and you’ll get beautiful “warm colors” (deeper shades of red, orange, and yellow) in your pictures. Long shadows at these hours add a sense of depth and dimension to a scene.

Tell the whole story when traveling. These slippers are part of an entire slide show I have on the tannery in Fez, Morocco. (Canon EOS 1N, Canon 17-35mm zoom lens at 17mm, Kodak Elite Chrome 100.)

Tell The Story. If you want to capture the “flavor” of your travel destination, you need to tell the whole story. In other words, take pictures of people, places, buildings, wildlife, and so on.

Also look for unique angles and viewpoints. Sure, take the post card shots, but then ask yourself how you can picture the subject or scene in a unique way.

Simmer. When you get back from a trip, let your pictures “simmer” for a while; don’t judge them on quality and content right away. Why? Because the wonderful feelings of your vacation are still lingering in your mind--feelings that, as vivid as they may be, are not 100 percent relived when looking at pictures in your office or at the kitchen table. What’s more, when you were taking pictures on your vacation, you saw the scene in three dimensions. But your little prints or slides have only two dimensions (unless you used a 3D camera). So, without the feelings and added dimension of depth, your pictures can’t look as good as the actual scenes. It’s really only after a few weeks, I’ve found, that I can judge if a picture was a success or a failure.

Well, now it’s my turn to “cook.” Gotta start packing for my next trip.

Ingredients For Great Travel Photos

Getting Ready to Cook
Good Utensils
Film
Main Course
Good Exposure
A Dash of Color
Careful Composition
Good Timing
Tell a Story
Simmer