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In the wide world of product
advertising, photographic trends and techniques can define the look of
an ad. Alternatively, certain designs can influence how products are photographed.
Sometimes it’s difficult to know which was developed first, the design
or the shooting style. In some cases, it’s a combination of the two working
together.
This is certainly true of one
of the more popular styles these days: clean-looking shots where the subject
is grounded with some sort of drop shadow or reflection, surrounded by
a pure white foreground and background. Often times, these images are
built and/ or assisted by photo-editing programs like Adobe Photoshop
or Adobe Photoshop Elements to ensure that the white background/foreground
is 100 percent white, and that drop shadows and reflections are smooth,
unobtrusive, and gradually fade away.
The first thing we like to
do when creating lessons here at Web Photo School is to take a typical
on-camera flash shot of our subject for comparison’s sake. On-camera flash
can work well in low-light situations or to serve as a fill light outdoors,
but rarely does this type of lighting lend itself to studio photography;
it tends to render objects as flat and dimensionless. And when used on
reflective objects like this Casio handheld, the results can be rather
blinding (#1 below)!
Our first step was to create
a surface that was both reflective and slightly textured. The day of the
shoot, we drove to the local hardware store and bought a small sheet of
aluminum for about $15. Back in the studio, we set a sheet of plywood
on two sawhorses, clamped the sheet of aluminum to the plywood, and positioned
the handheld a third of the way down the sheet (#2).
Next, we set up our first light
source, a small (16x24") Photoflex Starlite Kit. We attached the SilverDome
softbox to the connector, attached the connector to the Starlite head,
and secured the head to a Litestand.
We positioned the light at
a 3/4 angle overhead for a few reasons. We wanted to light the handheld
so that it would appear three-dimensional but still have soft, even lighting.
By positioning our diffused light source at a slightly different angle
than that of the camera, we were able to achieve both. Notice how the
angle of the SilverDome also prevents the screen from getting blown out
as in #1, while creating a nice textured reflection in the aluminum (#3
and #4).
Now that we had established
the main light on our subject, we focused on lighting the background.
We set up another small Photoflex Starlite Kit and attached a Photoflex
Boom to the Starlite to be able to position it over the table. The small
SilverDome worked well to illuminate the background evenly. To ensure
that the background would go completely white, we bumped up light output
by using a 1000w bulb in this rear softbox (#5 and #6).
Looking at the result on the
camera’s LCD, we noticed that while the background looked good, the top
of the handheld was overexposed due to the angle of reflection from the
rear softbox. To bring this area back into a better exposure range, we
decided to flag off this direct light. We attached a 12" Photoflex black/silver
Litedisc to a Photoflex Litedisc holder, secured it to a Photoflex Litestand,
and positioned it just over the top of the handheld. Since we didn’t want
to interfere with the light from our main light, we made sure the Litedisc
was far enough back so as not to block it. Our result shot shows a much
better exposure for the top end, with the front edge reflecting the main
light (#7 and #8).
Next we focused on the details
of the reflections.We wanted to create a repeating pattern in the reflection
of the main dial as well as brighten the smaller buttons to the right.
We attached two 12" silver/white Litediscs to Litedisc holders and Litestands,
and positioned them on either side of the handheld. We adjusted their
positions until the reflections looked good (#9 and #10).
Our final result on the set
would later allow us to enhance the shot in Adobe Photoshop by fading
out the foreground reflection using Paintbrushes and Gradients, and dropping
in the screen from another exposure without any lights on (#11 and #12).
Technical Equipment
Camera/Media: Olympus 3040 digital camera; Olympus 3030
digital camera (for setup shots); 2 Lexar 64MB SmartMedia cards; Lexar
USB SmartMedia reader; sturdy tripod
Software: Adobe Photoshop Elements
Lighting Equipment: 2 small Photoflex Starlite kits;
Photoflex Boom; Photoflex Weight Bag; 1 12" Photoflex black/silver Litedisc;
2 12" Photoflex white/silver Litediscs; 3 Photoflex Litedisc holders;
3 Photoflex LS-2212 Litestands
Background/Miscellaneous: Casio Visor handheld; 3x4 ft
sheet of aluminum; 4x8 ft sheet of plywood; 2 sawhorses; 2 A-clamps
This lesson will be posted
in the free public section of the Web Photo School at: www.webphotoschool.com.
You will be able to enlarge the photos from thumbnails. If you would like
to continue your digital step by step education lessons on editing, printing,
and e-mailing your photos it will be on the private section of the Web
Photo School. To enroll for WPS just go to www.shutterbug.webphotoschool.com.
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