Lighting News

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Edited by George Schaub  |  Sep 13, 2013  |  First Published: Aug 01, 2013  |  0 comments

Every year member magazines from the Technical Image Press Association (TIPA) gather to consider and vote on the top products of the year in 40 categories, ranging from cameras to tripods to software and printers. This year’s selections represent technological sophistication along with features and functionality that make them leaders in their respective categories.

Henry Anderson  |  Feb 19, 2020  |  0 comments

Here's a quick and fun portrait photography tutorial from Jessica Kobeissi. In the below video she shows you five creative lighting ideas you can try on your next photo shoot.

Zach Sutton - Lensrentals  |  Jul 30, 2018  |  0 comments

When getting started in photography, it's easy to get enamored with all the enticing equipment out there and go on a spending spree, listening to everything everyone suggests you need in the process. However, most of the photo gear people say you "absolutely need" to be a successful photographer isn't as important as they may make it seem, and it's critical to develop your own workflow of tools.

Dan Havlik  |  Dec 18, 2019  |  0 comments

What's a softbox and how do you use it in photography? What are the best ways to use a softbox to light your subject for portraits?

Jason Schneider  |  Jul 20, 2015  |  0 comments

The flash bracket has become the “forgotten accessory” in photography but it’s still an essential tool if you’re looking to achieve consistent studio-quality lighting on the fly.

Jason Schneider  |  Jul 20, 2015  |  1 comments

If you read our story on "7 Reasons You Still Need a Flash Bracket for Photography," perhaps you’ve decided it’s time to purchase one of these photography workhorses. Here are our recommendations for 8 Great Flash Brackets to help you achieve studio-quality lighting on the fly.

Jon Sienkiewicz  |  Apr 02, 2015  |  0 comments

When the folks at Fotodiox asked me if I wanted to look at one of their FlapJack portable LED studio lights, I told them “no.” 

Jack Neubart  |  Oct 01, 2008  |  0 comments

A monolight (or monobloc, in some circles) is a self-contained strobe--and possibly the best way to get started in studio lighting. Self-contained means it does not require an external power pack to control its various functions with all the controls housed in the body. Most monolights plug into an AC outlet, although a few are driven by a separate, external battery pack. You...

Joe Farace  |  Oct 29, 2013  |  First Published: Sep 01, 2013  |  1 comments

Pro shows are a great time to catch up on the latest in lighting gear and trends, so we asked Joe Farace, who does lighting equipment tests for us here at Shutterbug (type Joe’s name in the Search box at www.shutterbug.com to see the wide range of gear he’s tested) to roam the floor at the WPPI show to see what’s hot. His report covers new equipment that caught his eye there but, while there’s plenty to read about, this is not intended to be a full report on what’s new in the category. Some of these products will be covered in future issues, with promised updates from Joe. Also, the show was a few months back, so most, if not all the gear, you read about here is available now. Check our web page news for new products and developments, and follow our in-depth lighting test reports that appear regularly in Shutterbug.—Editor

Cynthia Boylan  |  Jan 16, 2015  |  1 comments

Adorama expanded the Flashpoint lighting line with the launch of Zoom Li-on, a collection of on/off camera flash products with internal lithium ion batteries—providing all of the benefits of an external battery pack. The Li-on line offers a range of high-power flash units and lighting accessories in easily transportable packages. Products include the Zoom Li-on speedlight Flash (available in manual, Canon TTL and Nikon TTL models), and the Zoom Li-on Flash Commander Transmitter/Receiver Set. 

Cynthia Boylan  |  Feb 19, 2015  |  0 comments

Adorama has released a bevy of new lighting products as part of their award-winning Flashpoint accessory line. The latest releases include the Flashpoint Auto Stand (in 7' and 9’ models), the Flashpoint Telescopic Reflector Holder, and two new Flashpoint Flip-Flash Brackets. All items are now available with free shipping.

Steve Bedell  |  Apr 18, 2012  |  First Published: Mar 01, 2012  |  0 comments

The Aurora Orion light kit arrived on my doorstep at the busiest time of the year for me. At the end of the summer I take hundreds of high school seniors and thousands of “one shot” photos of the underclass students at high schools. So while it has taken me a while to get around to writing the report, I have used these lights to take thousands of pictures, and I was really glad to have a light kit that I could just pick up and walk out the door with and have all I needed in one really nice travel bag.

Joe Farace  |  Oct 01, 2009  |  0 comments

The Mini/Max family consists of two light banks that fit on the front of your shoe-mount flash.

Ron Leach  |  Jun 07, 2023  |  0 comments

If you've never had the time or money to go on a photo safari, today is your lucky day. You don't have to pack a suitcase or pay for hotel rooms and expensive plane tickets, because the itinerary here is a quick trip to your own backyard. Apartment dwellers should pay close attention too, since the tips in the tutorial work equally well at your neighborhood park or at a close-by nature center..

Joe Farace  |  Nov 18, 2011  |  First Published: Oct 01, 2011  |  0 comments

Gene Kelly had an umbrella while dancing to “Singin’ in the Rain” but he didn’t use it much, preferring instead to get wet. Photographic umbrellas won’t keep you dry but are the simplest to use and most inexpensive form of lighting modifier available, and that makes them the most popular as well. These umbrellas look and act like the kind of umbrella that keeps “raindrops from falling on your head” except that in a studio lighting situation they are usually reflective and light is bounced into them, creating a big, soft light source that’s directed toward the subject. Sometimes an umbrella is covered with translucent material and instead of mounting the umbrella so light is bounced into it, a light is fired through it, turning it into a direct source. While some light is lost shooting through an umbrella, it produces more direct light, and since more light is being directed at the subject it gives you the ability to shoot at a smaller aperture than when bounced into the umbrella. If you compare the apertures produced in the illustrations you’ll see what I mean.

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