|
Recent Additions
Cameras
Other Digital Darkroom Portraiture Sports/Action Lighting Outdoor/Travel Wildlife Film & Processing Photo Allies Blog Co-Op Forums Galleries Photo News Past eNewsletters David B. Brooks Jon Sienkiewicz Turn Your Hobby Into Cash Industry Voice Glossary Trade Shows Workshops Photo Links Shutterbug Radio Manufacturers Contact Us Outdoor Tips Travel Tips Portrait Tips Sports Tips Lens Tips Software Tips Family Tips Editor's Notes Talking Pictures Picture This! Features Book Reviews Student Union Point of View Web Profiles Exhibits Photo Clubs News & Notes Help Digital Help Business Trends Digital Innovations Globetrotter Master Class Passport The Darkroom Catalog Showcase Shutterbug Shopper Photo Lab Showcase Service Directory Free Product Info Classifieds Photography Lighting Digital Photography Equipment Film Processing Lexar Media Camera Lenses |
Lucis Pro 6.0 Software; An Update Offers More Sophistication
I’ve used LucisArt 2 for years to enhance detail and discover information in my image files; indeed, every pro I know has LucisArt and uses it to either sharpen detail or create amazing effects. But the basic LucisArt platform now seems crude compared to the latest, more sophisticated version. The older, basic version had several effects that you could choose from and a small window that wasn’t very good at giving you a good idea of how the final image would look. But now, with Lucis Pro 6.0, it’s a whole new game.
As in the basic version, which is now also offered as LucisArt 3, things are kept very simple. Slider controls allow you to see changes in real time. LucisArt 3 lacks many of the features of Lucis Pro 6.0 and only works with 8-bit images, where the Pro version works with 16-bit images.
After you’ve got that one set, you may or may not want to use the Smooth Detail slider (2) to smooth off some of those rough edges you’ve just created. By using the two sliders in concert, you have a huge amount of control over the final image. The Preview and Processing Scan Lines (3 and 4) are set at 16 by default; I hear they may be going to 32 in future versions. Lucis compares each pixel to every other pixel along scan lines. Increasing the scan lines removes any radial artifacts; setting them very low creates them, which can create interesting effects. Keeping the number lower in the Preview will help speed processing. Instead of running a dupe layer through Lucis, you can now mix the original image (5) with the altered version in the software and see the effect in the Preview window. When processing the image, Lucis may change or shift color from the original image. A new control (6) allows you to assign the original color back to the image in whatever amount you like. This is very useful in portraits or in any image where accurate color is essential.
Article Continues: Page 2 »
|
||||||||||||||||||||||||||||||||







