|
Recent Additions
Cameras
Other Digital Darkroom Portraiture Sports/Action Lighting Outdoor/Travel Wildlife Film & Processing Photo Allies Blog Co-Op Forums Galleries Photo News Past eNewsletters David B. Brooks Jon Sienkiewicz Turn Your Hobby Into Cash Industry Voice Glossary Trade Shows Workshops Photo Links Shutterbug Radio Manufacturers Contact Us Outdoor Tips Travel Tips Portrait Tips Sports Tips Lens Tips Software Tips Family Tips Editor's Notes Talking Pictures Picture This! Features Book Reviews Student Union Point of View Web Profiles Exhibits Photo Clubs News & Notes Help Digital Help Business Trends Digital Innovations Globetrotter Master Class Passport The Darkroom Catalog Showcase Shutterbug Shopper Photo Lab Showcase Service Directory Free Product Info Classifieds Photography Lighting Digital Photography Equipment Film Processing Lexar Media Camera Lenses |
Software Cinema DVD Training; Are They Effective Teaching Tools? A Walk Through Lesson With Steve Anchell:
5. The last step is to reduce the Red 1 layer’s Opacity to 0 percent
then slowly bring it back up until a pleasing color is achieved. To do this,
use the Opacity slider on the top right-hand side of the Layers palette. Click
on the arrow, the slider is enabled, move it to zero, and then slide it to the
right. I found around 25 percent gave a healthy glow without looking artificial.
Clicking on the eye to the left of Red 1 layer will give a before and after
preview.
7. To clean up the overspray add another layer mask in the same manner as
before: 100 percent Opacity, 100 percent Flow, black foreground brush. Clean
any white paint that might have gotten into the eyes or other areas not desired.
Now, reduce the Brush Opacity to about 30 percent and, using a smaller brush,
carefully contour the white areas on the cheeks, chin, and other areas where
you want highlights to remain while appearing as if they fit the area.
Conner-ziser goes further by explaining how to whiten the eyes, add catchlights, color the irises, add eyelashes, prepare the image for painting effects, and more. But my purpose is not to teach you everything on the DVD but to help you decide if you should invest in this particular DVD for the lessons it contains.
If you want to learn more about portrait-enhancing techniques in Photoshop
and Painter from Conner-ziser you can purchase the DVD online from Software
Cinema at: www.software-cinema.com.
|
||||||||||||||||||||||||||||||||||





