The New Microtek ArtixScan M1 Pro; All-Format Glassless Film Scanning And Flat-Bed Print Scanning, All In One
David B. Brooks, July, 2008
Microtek is well-known for making both consumer- and professional-level scanners.
For a good part of their long history in the business their pro flat-bed scanners
have offered a unique capability that combines a dedicated film scanner with
legal-size, 8.5x14” flat-bed reflective scanning. The new ArtixScan M1
Pro includes a very modern 4800dpi optical Sony CCD sensor array to their unique
scanner configuration, making it just about all things to all photographers
who need a scanner. In addition, the M1 Pro comes with LaserSoft’s SilverFast,
the very best in scanner software. To top it off, the M1 Pro is much less than
half the cost of the most popular dedicated multi-format film scanner.
What makes the Microtek ArtixScan M1 different, larger, and heavier than any
of its contemporary competitors is how it is designed and constructed.
It has the typical glass-lidded reflective print scanner on top with a linear
bar CCD sensor below. But rather than use a similar arrangement for film scanning,
the CCD bar and optics are virtually flipped over and the print illumination
turned off in favor of another similar moving illumination bar below. The drawer
this illuminates is where you place glassless film holders for all formats except
8x10 or “odd” format sizes, for which a glass carrier is provided.
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The ArtixScan M1 Pro with SilverFast Ai Studio provides a pre-scan
interface to accurately adjust all parameters of image quality.
This 6x4.5cm 120 Ektachrome shot in full sunlight reproduced with
full color fidelity and detail on both shadows and highlights.
All Photos © 2008, David B. Brooks, All Rights Reserved |
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With all of these film carriers and the light source below, and the CCD sensor
bar above, there is only air between the film and the CCD sensor; there is no
glass (except for 8x10 carrier) on the underside so there is no distortion of
the light passing from the film to the cells of the sensor CCD. There’s
also no glass to collect dust and dirt.
The core functional feature is the Sony CCD sensor array that scans at up to
4800dpi optical, outputting 16 bits of data per channel with a dynamic range
that has a maximum density to 4.4. In addition, the ArtixScan is shipped with
the ability to custom calibrate and profile the scanner. There are two software
bundles depending on which model you buy. LaserSoft’s SilverFast SE Plus
comes with the standard M1 and SilverFast Ai Studio, including both reflective
and film IT8 targets for use with SilverFast’s easy automated profiling
utility, is a part of the M1 Pro package.
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Kodachrome 64 slide images with softly graduated mid to light tones
scanned by most dedicated 35mm scanners often exhibit very apparent
graininess. However, scanned at the full optical resolution of 4800dpi
with the ArtixScan M1 Pro the image sharpness and detail in the
slide is well preserved but the apparent graininess is quite subdued. |
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Testing And Working With The ArtixScan M1 Pro
To test the M1 Pro I first selected a diverse collection of 35mm slide images,
including many made on Kodachrome film. The M1 Pro carrier frame holds 12 frames,
three times as many slides as most dedicated 35mm slide scanners. Once loaded,
a click of the pre-scan button and a few seconds time make all 12 images appear
on screen. You then draw a selection frame around one, click the enlarge button
and the work space frame is filled with the raw image, providing the opportunity
to adjust the range (Levels in Photoshop speak), contrast, brightness, color
balance, etc. That’s where you also set the size and resolution of the
final scan, and its file name. You can then go ahead with the individual scan
or move on to select and frame another of the 12 to get ready for final scanning,
on and on until all are adjusted, and then hit the batch scan button and take
a coffee break. The M1 Pro scans each one and deposits them as an image file
where you have designated in your computer.
I chose a number of Kodachromes to test scan as they often represent the highest
range of film densities you are likely to scan and are a particular challenge
to reproduce good detail in both highlights and shadows. I was particularly
impressed with the scans I was able to produce from Kodachrome, having both
fine, sharp detail all across the density range, and as good a replication of
the unique coloration of a Kodachrome image I have yet to reproduce in a 12x18”
by 300dpi file. And although some of the very best dedicated film scanners will
reproduce a slightly crisper image from Kodachrome, the M1 Pro will reproduce
about as much fine detail and overall smoother tonalities.
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A field of varicolored California poppies was rare enough even where
I live, an area of California that grows flowers for seeds. The
ArtixScan M1 Pro reproduced the fine detail and rich color that
is right on par in print results from what I have obtained with
dedicated 35mm scanners. |
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Moving on to medium format 120 film, the newly redesigned film holders do
achieve their purpose of holding the film more securely and flatter than older
ArtixScan flat-beds. And with smaller 120 formats you can successfully load
three frames, or two for 6x7 and 6x9, but just one for my favorite and odd semi-panoramic
format, 6x12cm. Of course with larger film areas and the high potential optical
resolution of 4800dpi you can make scans for really huge prints, even at an
image file resolution of 300dpi. I scanned 120 transparency, color negative,
and silver-based black and white films in my tests and all were sharp, yet with
smooth tonalities. They displayed a fully adjusted distribution of tones and
fully balanced color, ready to print.
I did not expect scanning 4x5 film would be all that different except of course
you begin with more information and you obtain more in a resulting scan file.
However, the redesigned film holders for 4x5, although they do tend to hold
the film flatter, are more difficult to use. The frame and opening are only
slightly less in dimension than the film itself, and getting all sides of the
4x5 film secured under the frame is a bit tricky.
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Even the long panoramic 120-size film frames of 6x12 or 6x17cm are
readily accommodated and held flat and secure in the redesigned
holders for the ArtixScan M1 Pro. |
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The 8x10 glass support holder frame is the most interesting in terms of the
different things you can do with it. For instance, it is an ideal support for
fluid mounting film, which reduces dust and scratches from being scanned, and
reproduces a more brilliant, smoother-toned image. The 8x10 glass frame support
is also useful if you happen to have film from the past, or even glass plates,
in odd sizes like 31/4x41/4”, as well as 5x7, and very wide 120 panoramic
film greater than 6x17. Another use is for making a single scan proof sheet
of cut strips of 120 or 35mm film. Of course some formats like 6x7 don’t
fit all frames into an 8x10 format, but that was a problem even before digital.
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