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The CanoScan FB 1200S
By David B. Brooks January, 1999
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The
ScanGear CanoScan driver interface has a large preview
window and easily accessed logical controls for image
adjustment. In my tests once I had the image adjusted
to look the way it should, it opened after scanning just
as expected in Photoshop.
Photos © 1999, David B. Brooks, All Rights Reserved
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For the many photographers
who are setting up a digital darkroom, and have medium and large format
film to scan, Canon has a very attractive scanner solution. The CanoScan
FB 1200S offers high 1200dpi optical resolution with professional-level
film scanning quality at a fraction of the cost for this type of scanner
last year. Canon has accomplished this by using a two-pass technique
to achieve the 1200dpi optical resolution, using what they call a Variable
Refraction Optical System. In essence this is an adoption of pixel shift
technique found in conventional video cameras. This method uses larger
CCDs than a conventional 1200dpi scanner providing a higher CCD element
sensitivity.
Besides a true optical resolution of 1200dpi, which can be interpolated
to 9600dpi, the CanoScan FB 1200S has a 3.3 dynamic range, scans at
36-bit color depth, and outputs 36 or 24-bit data. This new CanoScan
model features a SCSI interface including a SCSI card for PC Windows
users, and it also supports the macintosh platform. In addition to Canon’s
CanoScan Toolbox with a very effective ScanGear scanning control interface,
the FB 1200S includes Adobe photoshop 5.0 LE, and Zerox Text Bridge
software. A ADF-S9 document feeder and FAU-S10 film adapter are available
accessories.
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A
print scan subject has a relatively low tone range, and
this pastel portrait contained extremely subtle color variations.
The CanoScan with ScanGear was able to make the scan adjustments
preserving the delicate values in the subject resulting
in a scanned image actually superior to the original.
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Using The CanoScan FB 1200S
With Film Adapter. The compact and lightweight CanoScan FB 1200S, even
including the transparency adapter lid with its illumination source, was
quite easy and straightforward to install and set up. Likewise the Canon
software was equally smooth and easy to install, even though the transparency
scanning software for the film adapter is separate and called FilmGet.
So first of all, of the three types of media I used for testing, color
prints including a 5x7 IT-8 target, color transparencies including a 4x5
film IT-8 target, and 120 size color negatives, I began my tests using
ScanGear to scan prints. Scanning from within Photoshop on a PC with Windows
98 using the TWAIN driver provides a generous window with large preview
and logically designed easy to use adjustments for all of the primary
attributes of image quality.
The FilmGet interface is similar excepting different controls of scan
formats to accommodate different film sizes, and with equally effective
controls to adjust image quality. When you add the FAU-S10 film adapter
you also get some simple black plastic film holders. These are essential
and designed to block any extraneous light coming from the area illuminator
in the scanner lid, except that which comes through the film. The 120
size film holder is almost the entire length of the scanner, so every
format even including panoramic sizes can be accommodated, and the 120
film window length is adjustable with the remainder of the aperture blackened
by a mask provided with the holder. Both drivers offer Canon ColorMatching
and largely automated adjustment or manual control including an eyedropper
cursor to select the highlight and shadow area from the preview image
window.
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This
120 film color negative had always scanned with difficulty
in the past, so when I obtained a very true representation
of the scene with the CanoScan FB 1200S I was convinced
photo enthusiasts should be pleased with the performance
of this very affordable scanner.
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Evaluation And Recommendation.
The obvious question I’m sure is how does the CanoScan FB 1200S
compare to conventional more expensive 1200dpi scanners. Fortunately I
recently tested and reviewed such a scanner, so I was able to compare
the results. First off the Canon ScanGear and FilmGet software is not
as sophisticated with features like selective color adjustment, but applied
to my tests that did not make a significant difference because nothing
is lost by making selective color hue or balance adjustments post-scan
in Photoshop with a 3.3 dynamic range the FB 1200S is quite adequate for
film scanning, although it is not as great a range as some more expensive
scanners. However, I was very pleasantly surprised to find the scan quality
of full-tone transparency film images were very clean and smooth at all
levels of density. In the area of image sharpness, the CanoScan was not
quite the equal of the more expensive scanner, which I would assess to
the larger CCD element sensor size of the Canon. This distinction was
however, only visible on-screen at high image magnification. In prints
of the images the results from the two scanners were indistinguishable
in sharpness. The one performance factor of the CanoScan FB 1200S that
is not equal to more expensive scanners is in scan speed.
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One
of the most surprising scan results I obtained with the
CanoScan FB 1200S was from the transparency with the fullest
possible range of tones. Besides having absolutely no noise
in the black background and dark tones, the balance of color
was reproduced with extreme accuracy and every bit of detail
in the highlights was preserved precisely.
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Adding everything up based
on my work with the CanoScan I found the scanner’s capabilities
combined with its affordability make it an ideal complement to an enthusiast’s
digital darkroom. Any photographer who uses 120 or 4x5 film, and has an
need for print and document scanning will be well served by the CanoScan
FB 1200S. At this new price level I would afford the FB 1200S just for
proofing roll and sheet film--it’ll proof entire rolls of 35mm and
120 film at a clip, or four 4x5s, and send the scan directly to your printer.
And although I wouldn’t recommend it as a primary 35mm film scanner
because 1200dpi optical is not enough resolution, scans of 35mm will yield
quite decent 5x7 prints. I believe with this new 1200dpi scanner Canon
has made the digital darkroom a much more attractive possibility for many
photo enthusiasts. For more information, call (800) 652-2666 or visit
either www.ccsi.canon.com
or www.canoscan.com.
Technical Specifications
Compatibility: Windows 95, 98, and NT 4.0, and macintosh
7.51 or higher
Type: Flat-bed, color, black and white
Scan Method: Three line color CCD
Resolution: 1200dpi optical, 9600dpi interpolated
Scan Mode: Color 36 bit, black and white 12 bit
Output: 8 or 12 bit per RGB channel
Dynamic Range: 3.3
Scan Area: 8.5x11.7”
Accessories: FAU-S10 film adapter, ADF-S9 automatic document
feeder
Dimensions: 11.5x18.1x3.7”
Weight: 8.8 lbs
Estimated Street Price: $499 |
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