| |
|
The long and short of the variable extension tube. This
subject was photographed with a 75mm lens and the tube at
its minimum length of approximately 55mm
Photos © 2000, Tom Fuller, All Rights Reserved .
|
|
This month’s project
is a variable-length extension tube for close-up photography. It provides
several inches of magnification adjustment without the need of an expensive
and cumbersome macro bellows unit, and allows virtually any lens to be
used. I mounted a 75mm enlarging lens on the one shown here, but a 50mm
"normal" lens from almost any camera works very well. This is a Level
1 project (see the April 2000 issue for a run-down of my do-it-yourself
complexity rating scale) made from inexpensive materials that can be put
together in a few hours by anyone with basic skills and ordinary household
tools. The body of the extension tube is made from a cardboard mailing
tube, with an off-the-rack US Post Office version fitting the bill perfectly.
The smooth, adjustable slide action comes from the tube’s pull-off
end cap (the crimped-on metal end insert easily removed with pliers),
helped along with a few turns of black photo tape as shown. The finished
tube can be made to any length, but remember that it takes only a small
amount of extension to focus the lens very close to the subject and produce
a small field of view. A simple rule to help in figuring is that a 1:1
magnification--the image recorded on film being the same size as the actual
subject--requires equal lens to film and lens to subject distances, each
being twice the focal length.
|
| |
|
The finished variable close-up tube. Although magnification
is adjusted by sliding the tube, the entire camera must
be moved back and forth for focusing in close-up photography.
Although not shown, a geared macro focusing rail moves the
camera with micrometer precision and is especially helpful
when shooting extreme close-ups. Be sure to finish all interior
surfaces of the tube with flat black paint and touch-up
scuff marks caused by the tight slide fit as needed.
|
|
As a long tube will not allow
the lens to be pushed close enough to the film for moderate close-ups,
consider building two tubes of different length, with provision for using
the same lens on each, for a wide magnification range. This design can
also be used to make an infinity-focusing lens mount, letting a medium
format enlarging lens, or a medium or large format taking lens, be used
for telephoto effects on a 35mm camera body. If basic close-up technique
is new to you, invest in one of the many good books on the subject frequently
advertised in Shutterbug.
If you have an autofocus camera,
switch it to manual focus mode when using the tube. Aperture-priority
exposure mode will give accurate results with many cameras, but some newer
models rely upon electronic information transfer between the lens, commercially
produced close-up device, and body to function properly. Manual metering
mode will be dependable on the majority of cameras, but be sure to check
your instruction book for any special considerations when using non-coupled
lens accessories such as this. Many new and old cameras have interchangeable
focusing screens so that a special (usually all-matte finish) version
can be substituted for easier visual focusing of dim close-up subjects.
Remember, even wide-open, the effective aperture of the lens decreases,
along with the overall amount of light, as it is moved away from the film
plane.
|
| |
|
The same subject, photographed a at the tube’s 95mm
maximum length. As image-degrading vibration increases with
subject magnification, a solid camera support is needed
for any close-up. A beefy copy stand or a heavy-duty tripod
with its center column inverted are good choices for the
studio and field, respectively. |
|
The diagrams and photos will
guide you through the construction of the variable extension tube. However,
whether you use our DIY rig or a costly store-bought model, understand
that close-up photography is a technically demanding area with its own
set of potential problems and requires patience and practice for successful
results. Enjoy!
Parts List
One T-mount to fit your 35mm
camera body
One cardboard mailing tube
with slide-on end cap
A small piece of all-black
3/16" foamcore or 1/8" plywood
Black photo tape
Black tempera paint
White glue
Optional: one lens mounting
flange (see diagram in the Jan. 2001 issuea)
|