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On The Road With Monte; The Yucatan Experience: Seeing The Light—Part 1:
Wide Angle Lens
Using The Architecture
Inside the church was another series of arches that opened onto an open courtyard. The two ballerinas were positioned to place the one in black against the lighter background and the one in white against the darker. The vertical lines of the archway helped to frame the composition of the two dancers. When photographing ballerinas they pretty much pose themselves. What we as photographers have to do is to pose them to the lens. Dancers can pose to any direction. It’s up to us to help them position their bodies and legs, so that they look good from the camera’s viewpoint.
There are so many more fun pictures from this Yucatan adventure that I’ve chosen to share the rest of them with you next month. It seems as if my travel classes out of the country are affording people a great reason for taking a vacation, furthering their education, and learning how to adapt professional techniques to what otherwise might be merely vacation snapshots. Monte and Eddie Tapp will be touring the country in October and November, doing
a four-hour extravaganza seminar. It will include lessons on posing and lighting
for formal and casual portraiture, as well as travel and scenic photography.
Eddie will be demonstrating easily adaptable Photoshop techniques to enhance
your photographs and speed your postproduction workflow. Cities Include: (Visit www.zuckertapptour.com
for details and to purchase tickets.
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