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On The Beach; Class Time For The Carnival Cruise Line Photographers:
I was even able to do one of my typical pictures of his profile over the 2/3 view of her face. All natural light. Of course, I was flat on my belly to get the sky as a background. When I seated another one of the photographers just underneath the overhang it was as if I were again in a studio environment. I had perfect control of the lighting. What a simple way to create profile lighting. Since I exposed for the light on her face, the background was almost completely blown out except for a few light clouds in the background.
Finally, I just couldn’t resist sharing this portrait with you. It was
created in the Imagination’s library while I was demonstrating window
light portraiture. This man won the award as one of the most promising photographers
in my class. I wasn’t demonstrating with him as my subject, but I’m
always teaching everyone to look around and see! When I saw the intensity of
his expression and the natural window light on his face, I recognized that the
light pattern was already there. I knew all I needed was a Westcott silver reflector
(Monte’s Illuminator) to open up detail on the shadowed side of his face.
The posing and lighting were already there. I shot the picture in color but
changed it to black and white so that the viewer would have nothing to distract
from his face. I did it by selecting the Green channel and making minor adjustments
in Levels. It was one of my favorite photographs of the week.
Join Monte and Photoshop guru Eddie Tapp on the IMAGINATION TO REALITY TOUR this fall. Explore their world of digital imaging and immediately apply techniques that will help you achieve both financial and artistic success. Learn the complete digital workflow from capture to final output. Monte and Eddie cover concept to completion—posing, pixels, Photoshop, and printing—everything needed to create beautiful digital photographic portraits.
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