Outdoor Photography How To

There’s a common misconception that beautiful photos of the night sky are a product of sleepless nights and big expense. While fancy equipment and ample free time may increase your chances of capturing amazing shots of the heavens, much can be achieved with the equipment most photographers already have, and a few minutes of experimentation—even if they’ve never thought about astrophotography.

Early last year I started planning a month-long trip to Botswana and South Africa, part of which would be spent leading a photo safari. From the start I knew that my photography would include much more than wildlife. It’s my business, and my pleasure, to explore and experience beyond the obvious subjects suggested by a location. As a practical matter, I have to photograph much more of what a destination offers and deserves; as a personal matter, it’s often what’s best about my job.

My wide-angle lens was perfect when the late-evening shadows crept across the mountains of the Arctic National Wildlife Refuge. The sweeping landscape, wide open and treeless, was suited to the wide field of view. Until, that is, the weather turned, and with it, my perspective on that wild place. I woke one morning to rain pattering intermittently on the nylon of my tent. Between showers, I emerged to find the mountains obscured by scudding clouds.

Wildlife and nature photography is certainly a niche market but it turns out to be bigger than many think. According to our contributing photographers in this month’s column, photos of nature and wildlife can be sold for a broad range of uses, including stock, editorial, book publishing, interior design, fine art, and even assignment. Other important questions we ask our wildlife and nature photographers this month include what does it take to make your passion for these subjects a business? How do you market and promote your images?

The source photo for this beautiful image by Kathy Beal is from an iceberg she captured off the coast of Greenland in 2012. “Most of my images start with a base photograph, where I shoot for form, color, and texture,” Beal explains. “I then post-process the photograph in Photoshop, using a variety of tools and techniques.

The below instructional video from longtime pro photographer Moose Peterson is from a few years ago but if you haven't seen it yet, it has some great advice on how to capture gorgeous landscape photos.