Lens diffraction is an important concept that’s not very well understood by many photographers, and it can have a big impact on your images. In the tutorial below you’ll find a simple explanation, and learn how to deal with diffraction for better results.
There’s a bunch of photographers out there who’d like to shoot macro images once in a while, but not often enough to justify purchasing an expensive, dedicated lens. Today we’re going to show you how to get started shooting close-ups on the cheap.
Most experienced landscape photographers reach for a wide-angle lens when shooting expansive vistas. But telephoto lenses, when used properly, can capture compelling outdoor images with a unique look.
Gear isn’t the most important thing when shooting landscape photos, but it does matter. In particular, choosing the right lens can make your job easier as a photographer.
If you’re just getting started in landscape photography and you want to get up to speed as quickly as possible, the video below will seal the deal. You’ll learn all the basics necessary for capturing great photos on you’re next outdoor outing.
If you’ve ever wondered whether newer and, typically, more expensive versions of lenses are that much better than their predecessors, the below video is a fun comparison. In the clip, swimwear and lingerie photographer Anita Sadowska compares the new Sony FE 24-70mm f/2.8 GM II lens from this year to the older “Mark I” version.
If you’ve never tried capturing the splendor of starlit skies because you thought you lacked the necessary skills and gear, today’s straightforward tutorial will change your mind. After watching the five-minute video below, you’ll understand why “nighttime is the right time” and know how to get the job done.
Because Amazon is one of the world’s largest marketplaces for digital camera gear, checking out the best sellers in photo related categories provides a sense of what’s popular—and maybe even a few surprises.
Aperture is a key fundamental of photography, and one component of the Exposure Triangle—along with ISO and shutter speed—that work together to produce properly exposed images. But as you’ll see in the tutorial below, the f/stop you choose also affects photos in other important ways.
(Editor’s Note:Exploring Light is a monthly Shutterbug column featuring tips, tricks, and photo advice from professional photographers in Canon Explorers of Light education program. This month's column is by Bob Davis, with great tips for shooting sharp photos of wildlife and birds in flight.
We’ve sung the praises of using a 50mm lens for a while now including in this Shutterbug video that’s racked up nearly three million views on YouTube. Now another photographer has published his ode to the beloved “Nifty Fifty.”
Sigma offers a series of seven compact prime lenses in their Contemporary lineup ranging from 20mm f2 to 90mm f2.8 that they designate as the I Series. Compatible with Sony E and Leica L mount systems, the lenses feature predominately metal construction, superb build quality and a high class look of a higher priced optic. They feel good in the hand and deliver outstanding results.
Sony offers a wide assortment of excellent optics for their popular mirrorless full-frame and APS-C cameras, but so do other high quality lens manufacturers, including the three we identify here. Sometimes adding the “just right” glass to your lens arsenal gives you a whole new way to look at things.
We often refer to French optical specialist Mathieu as a “weird Lens guru” because he always has a few oddball tricks up his sleeve. Sometimes his videos are about adapting cheap vintage lenses to modern digital cameras, while other times he reveals a fun-and-wacky DYI project.
Today we’re going to discuss lens fogging—a serious problem that plagues outdoor photographers this time of year. When this occurs you’ll either miss a spontaneous opportunity while waiting for a lens to clear up, or you’ll snap the shutter and end up with a worthless photo.