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Nikon’s AF-S Nikkor 16-35mm f/4G ED VR Zoom; Ultra-Wide For FX, Moderate Wide For DX Nikon D-SLRs
George Schaub  |  Aug 01, 2010  |  0 comments

When you talk about lenses these days you always have to bring in the multiplication factor, especially when you have a lens that fits comfortably on both so-called full-frame and APS-C sensor cameras. To know what angles of view you will have available you have to know: (a) that the lens is made for full-sized sensors (or not) so will work with the multiplication factor on smaller sized sensors...

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Nikon’s AF-S Nikkor 70-200mm f/2.8G ED VR II Lens; A Fast, Constant Aperture Zoom With Vibration Reduction
Stan Trzoniec  |  Aug 01, 2010  |  1 comments

Nikon’s entry into past universal 80-200mm f/2.8 lenses started back in 1978 with a manual focus, push-pull lens checking in at 4 lbs. Ten years later the autofocus model arrived sporting ED (Extra-low Dispersion) glass; ’92 marked the “D” package. In ’96 the AF-S version came along, followed by the new generation of front motor drive “G” models. Now we...

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Fisheye Facts & Fantasies; Get The Most From Fisheye Lenses
Jack Neubart  |  Aug 01, 2010  |  0 comments

Fisheye optics are an unusual beast. The bulbous nature of the front element is one characteristic trademark, but the unique view this lens affords us is what makes it truly appealing—and at the same time challenging to work with.

My fisheye lenses have literally widened my view of the world around me and given me a new perspective on my photography. Admittedly, some...

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PMA Show Report; Interchangeable Lenses; Fast And Small, And Macros, Too
Jack Neubart  |  Jun 01, 2010  |  0 comments

This year we’ve seen many fine lenses come onto the scene, many with new optical elements designed to enhance performance while making the lens lighter and more affordable.

Nikon announced two new lenses aimed primarily at FX-format shooters (but usable with DX format). The AF-S Nikkor 24mm f/1.4G ED ($2199) is a fast lens well suited to low-light landscapes or expansive...

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PMA Show Report; 2010’s Latest Digital Cameras; Redefining The Digital Capture Experience
Joe Farace  |  Jun 01, 2010  |  0 comments

“Of all of our inventions for mass communication, pictures still speak the most universally understood language.”—Walt Disney

 

It’s a photokina year and you know what that means; all of the camera manufacturers will be holding off their newest SLRs for launch at the big show in Germany this fall. While Canon was not at PMA, they officially launched the EOS-1D Mark IV...

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Something Old, Something New; Are “Older” 35mm Film Camera Lenses Suitable For D-SLR Cameras?
Robert E. Mayer  |  Mar 01, 2010  |  0 comments

If, like many Shutterbug readers, you have a film SLR camera plus several interchangeable lenses, you might be wondering if you can use those lenses with your new D-SLR camera of the same, or even different, brand.

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Covering The Photo Beat; Tripods, Monopods, And A Fisheye Lens
C.A. Boylan  |  Mar 01, 2010  |  0 comments

Pro-Optic’s Affordable Fisheye
Pro-Optic has announced the 8mm Pro-Optic Fish-Eye lens, featuring a breakthrough in optical design for the first affordable fisheye lens designed for D-SLRs that have APS-sized sensors. Most fisheye lenses are designed for cameras with 35mm-sized sensors and when placed on an APS sensor, the edges of the image are cut off. Not so...

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The Ultra-Fast Advantage; Case In Point: Leica’s Summilux-M 21mm f/1.4 & 24mm f/1.4 Lenses
Roger W. Hicks & Frances E. Schultz  |  Dec 01, 2009  |  0 comments

There are plenty of other good (but significantly slower) 21mm and 24/25mm lenses on the market, almost all cheaper, smaller, lighter, and exhibiting less distortion than the two under discussion here.

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Tamron’s SP AF60mm F/2 Di II; A 1:1 “True” Macro For APS-C D-SLRs
George Schaub  |  Dec 01, 2009  |  0 comments

Long considered the focal-length sweet spot for macro work, the 60mm focal length of the new Tamron 60mm f/2 lens ($569 MSRP) converts out to 96mm for Canon and 90mm for Nikon APS-C D-SLRs.

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Sigma’s 18-250mm f/3.5-6.3 DC OS HSM Lens; The Whole Nine Yards
George Schaub  |  Dec 01, 2009  |  0 comments

There is an underlying desire in every travel or street photographer to be able to carry one lens to cover all contingencies.

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Nikon’s AF-S DX Zoom-Nikkor 10-24mm f/3.5-4.5G ED Lens; Wide Angle When You Want It
George Schaub  |  Dec 01, 2009  |  0 comments

We have seen new options from independent and camera maker manufacturers alike, each bringing the fun and creative options of these unique angles of view to ever more affordable price ranges.

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Leica’s Noctilux-M 50mm f/0.95 ASPH & Summilux-M 24mm f/1.4 ASPH; Super Fast For Low Light And More
Joe Farace  |  Dec 01, 2009  |  0 comments

In my heart I know that few readers can afford these kinds of expensive lenses, but there are always those who can and for the rest of us, it’s something to dream about.

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Carl Zeiss Planar T* 85mm f/1.4 And Planar T* 50mm f/1.4; Lenses For Low-Light Photography And More…
Joe Farace  |  Aug 01, 2009  |  0 comments

There is no doubt that Carl Zeiss is one of the magical names in the world of optics and so the introduction of the Zeiss ZE lenses for analog and digital cameras is big news.

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TIPA Awards 2009
The Editors  |  Aug 01, 2009  |  3 comments

The best imaging products of 2009 were voted on at the Technical Image Press Association (TIPA) General Assembly held from April 2-4, 2009 in Budapest.

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Lens News
The Leica Lens Saga; An Interview With Peter Karbe
Jason Schneider  |  Aug 01, 2009  |  0 comments

Editor’s Note: Our intent in bringing you this interview is to give you a look inside the technical development of new products and laud the achievements of engineers, scientists, and designers who contribute to advances in photography and imaging. We look forward to publishing a series of these interviews from many different aspects of the photographic world in the future.

 

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