 | Adorama Variable Grade Black And White Paper
Tom Fuller, October, 1999 |
 | Adoramas Ador Variable Grade Fiber Base Paper
Dave Howard, October, 2001 |
 | Bergger BPF 200 Film And Prestige Paper
Tom Fuller, February, 2000 |
 | Continuous Ink Systems; Are They Right For You?
Jon Canfield, July, 2006 |
 | Covering The Photo Beat; Camera Bags, Monolights, And Inkjet Photo Paper
C.A. Boylan, May, 2008 |
 | Covering The Photo Beat; Memory Cards, Inkjet Paper, And A Digital Photo Frame
C.A. Boylan, January, 2008 |
 | Epson K3 Inks & Printers
Peter K. Burian, July, 2005 |
 | Getting Warm A Roundup Of Warm-Tone Black And White Papers
Tom Fuller, October, 1999 |
 | Hahnemühle’s Photo Rag Pearl 320 gsm; A Classic Photo Look In An Inkjet Paper
George Schaub, September, 2007 |
 | Hard Or Soft Q And A On Paper Grades
Roger W. Hicks & Frances E. Schultz, February, 2003 |
 | Ilfords New Delta 400 Professional Black And White Film
Jay Abend, April, 2001 |
 | Ilford’s Galerie Gold Fibre Silk; A Galerie For The Gallery Wall
George Schaub, April, 2008 |
 | Inkjet Media; Papers And Inks
Jack Neubart, June, 2006 |
 | Inkjet Paper Options; A Sampler Of Media For Pigment-Ink Printers
Jon Canfield, April, 2008 |
 | Inkjet Printing Papers; Utilitarian And Fine Art Intros
Jon Canfield, July, 2009 |
 | New Gear For 2007: PMA Report; Inkjet Media: Inks And Papers
Jack Neubart, July, 2007 |
 | Oriental New Seagull Black And White Paper
Tom Fuller, April, 2000 |
 | PMA 08; Film, Paper, And Darkroom
Robert E. Mayer, June, 2008 |
 | PMA 08; Inkjet Papers & Inks
Jon Canfield, June, 2008 |
 | Paterson Acugrade Warmtone A Variable Contrast RC Paper
Frances E. Schultz, September, 2003 |