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Digital Help
Q&A For Digital Photography: Color Management Progress A. Monaco Systems was bought out 2-3 years ago by X-Rite. If what you have is Monaco EZ Color it was in Versions 1.0, 1.5, and 2.0, if memory serves me well. I have the system and tried it some years ago. The colorimeter that was sold in conjunction with it was pretty basic and a bit crude, and as far as I know was never upgraded to work with LCD displays. The print calibration and profiling offered as part of Monaco EZ Color utilized a color flat-bed scanner. But not being able to control the scanner directly made it a hit or miss proposition in terms of reading a printer test chart accurately to produce an effective printer profile. Studio Electronic Flash Is The Same For Digital As Film A. No, you don’t have to buy new studio electronic flashes for digital. If you are using a D-SLR just set it on manual and create a test subject in the studio and run some bracketed f/stop exposures with your camera, then calibrate your flash meter to an ISO setting that provides the right density. (The ISO speed “setting” provided with a D-SLR is often just an approximation, and should only be relied on as a benchmark that must be refined by testing). The Problem Defined Thank you for your e-mail. I agree that with an iMac and Adobe’s Photoshop Elements there is no easy workaround to the dark print problem. And to some extent your solution confirms what I have found to be the cause of the problem, a disparity between the brightness range (greater) of LCD displays and CRT monitors.
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